Africa, Asia and Latin America at the BFI International Film Festival

Daniel Nelson

Full-length films with African, Asian and Latin American connections at the BFI International Film Festival (6-17 October) include:

* 4 Feet High, episodes 1-6 of an Argentinian web series following Juana who is determined to lose her virginity and not let her wheelchair hold her back

* A Cop Movie, documentary drama that follows two Mexico City police officers on the beat

* A Hero, Asghar Farhadi’s drama follows gentle-mannered Rahim who is imprisoned for an unpaid debt to his former brother-in-law.

* All About My Sisters,  Wang Qiong goes to the heart of her unresolved family trauma and asks critical questions about privacy and permission in documentary practice

* Ahed’s Knee, an Israeli political drama/satire about a filmmaker coming face-to-face with his conscience and the state of a nation’s culture

* A River Runs, Turns, Erases, Replaces, observational portrait of Wuhan that offers a poetic reflection on the pandemic, set against the ever-changing Yangtze

* A Tale of Love and Desire is a French Algerian Tunisian  tale of – well, love and desire

* Azor,   conspiracy thriller about a Swiss banker and an Argentinian dictatorship where disappearances have becoming a worrying fact of life. 

* The Alleys, depicts – an Amman neighbourhood where gossip circles mercilessly and reputation is everything

* Anachronic Chronicles: Voyages Inside/Out Asia, an inventive rewriting of the filmmakers’ home videos

* Bantú Mama, a French-Cameroonian woman runs from a drug deal gone wrong in the Dominican Republic

* Clara Sola, iconoclastic celebration of the power of difference in Costa Rica

* Container, immersive film project that shows how closely modern forms of economic enslavement compare with earlier forms that ‘civilised’ society claims to have cast aside

* Costa Brava Lebanon,  in a Lebanon of the near future where the refuse crisis has made Beirut uninhabitable, the simmering tension of unresolved disputes contrasts with the electricity of first love

* Faya Dayi, portrait of the city of Harar and the intimate rituals of Ethiopia’s most lucrative produce, khat

* The Gravedigger’s Wife follows a man desperately seeks help for his ailing wife in Djibouti

* Flee, is an interview between film director Jonas Poher Rasmussen and his school friend Amin, years after they first met, which blossoms into an extraordinary story of love, survival and resilience

* Freda, a strong-willed woman struggles to decide whether to leave the violence of Haiti for the chance of a better life

* Hellbound, first three episodes of mini-series in which South Korea is in the grip of a strange epidemic where people are receiving text messages announcing the exact date and time at which they are going to hell

* Historya Ni Ha, Lav Diaz’s sharp political fable about exploitation, channelled through a ventriloquist’s puppet who embodies art’s redemptive potential. 

* Hit the Road,  a tender, quirky and funny road movie from debut Iranian film director Panah Panahi

* The Hole in the Fence, a coming-of-age tale exposing the fault lines of contemporary Mexico

* Humidity Alert, farcical, perceptive satire of South Korea’s indie film scene

* Invisible Demons, an unsettling documentary detailing the profound impact of pollution and climate change in New Delhi

* Juju Stories, portmanteau film that presents an alternative Lagos through the modern interpretation of folk tales

* Lingui, the Sacred Bonds, acclaimed African filmmaker Mahamat-Saleh Haroun’s humane and visually ravishing drama about a woman caught between her faith and her love for her daughter

* Little Palestine (Diary of a Siege), Abdallah Al-Khatib records the 2013 brutal siege of the Syrian Yarmouk Camp

* Maya and the Three, four episodes of series by Jorge R. Gutiérrez, a ‘love letter to Mexican culture

* The Medium, supernatural mockumentary that centres on Nim, a shaman who has served as physical host for the benevolent goddess Ba Yan

* Memoria, Thai director Apichatpong Weerasethakul’s rumination on memory and the human condition is about a woman visiting her sister in Bogota who becomes obsessed with finding an explanation for a mysterious sound

* Memory Box, teenager Alex covertly goes through her mother’s memorabilia that reveal a difficult adolescence in Beirut

* Mona Lisa and the Blood Moon, a girl has the psychokinetic ability to control the actions of others

* Money Has Four Legs, a journey to the turbulent centre of the Burmese film world

* Nudo Mixteco, triptych of stories centred on indigenous women in the fictional location of San Mateo

* Neptune Frost, an anti-capitalist sci-fi musical entirely shot in Rwanda and made with an entirely Rwandan and Burundian cast and crew, the film explores economic inequality specific to this mining region 

* Noah’s Raft, Nigerian filmmaker Joel Kachi Benson’s VR documentary shows how one person with a vision can transform a whole community by means of education

* Omar Amiralay: Sorrow, Time, Silence, moving portrait of a  pioneer of Arab non-fiction cinema

* Our Men –drama that explores life for those in the Foreign Legion

* Pedro, a drunken outcast Indian villager accidentally kills a cow and sets off a revelatory chain of events that pits him against his entire community 

* Prayers for the Stolen, a coming-of-age story at the centre of a rural community in Mexico blighted by drug cartels

* Queen of Glory, a Ghanaian-American woman’s life is thrown into disarray when she inherits her mother’s Christian bookshop

* Rehana, Abdullah Mohammad Saad’s gripping feminist drama from Bangladesh

* Ripples of Life, tender tale of an indie film crew shooting in a small Chinese town that explores questions of home, celebrity and authenticity

* Sambizanga, (in the Treasures section) neorealist testimony to Angola’s anti-colonialist struggle, not screened there until after independence

* Samsara, Hsin-Chien Huang’s latest work blows your mind with extraordinary visualisations of human existence in an ecstasy of colour and form

* The Sea Ahead takes the pulse of present-day Beirut to prescient and chilling effect

* Small Body, the odyssey of a young mother as she tries to save her baby’s soul

* Two Friends is a portrait of childhood set after the destruction of India’s Babri Mosque

* Vengeance is Mine, All Others Pay Cash, Indonesian director Edwin’s dizzying adaptation of Eka Kurniawan’s novel about an impotent aspiring assassin

* White Building , delves into the impact of gentrification in Phnom Penh

* When a Farm Goes Aflame, Jide Tom Akinleminu unravels the complex history of his Nigerian family 

* Welcome to Spain, Spain from the eyes of recently arrived immigrants

* Wood and Water, compassionate and precise record of a woman exploring Hong Kong and awakening to a new side of herself

This list is not complete. Missing films include a large programme of shorts, and films in the categories of  Immersive Art and Extended Reality. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=filmsevents  Full programme.

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